- Clearing Spaces a Project Made Possible by Rachael...
- Celebrating Our Senses - Mindfulness and Wellbeing Walks
- Marking Our Tracks - Further Afield - Songs For Quiet Steps - Empty Church Walks
- Singing Ringing
- Marking A Fine Line Mosaic Way Marker Project 2012 / 2013
- New Vistas / Wider Horizons, October 2011
- Back to Books and Invisible Threads
- Tara Badcock's Invisible Threads
- Carole Miles's Invisible Threads
Tuesday, 31 October 2017
Majestic Studios is a co-working space for artists and creatives in Stoke-on-Trent. The space has wifi, hot water, heating, a kitchenette and a great group of resident artists. They put out an open call for artists to participate in an exhibition called "Hidden". B2B project coordinator and artist Carole Miles decided it would be good to participate and to link it to a walk looking at the traces of craft and industry around the Majestic Studios, the venue for the exhibition.
Main street view
Quiet studio spaces
Hidden organiser and multi talented artist Christine Reader made us very welcome and discussed her Art Lunches and walks.
Some of Chris's sun print textile pieces which
explore many aspects of life and wellbeing
Carole's work delivered and waiting to be hung
Everywhere you look in Stoke-on-Trent there is evidence of craft and industry, a proud past, , the beauty and poignance of what was, the troubling jumble of what is and an optimistic, creative ever changing future. Many things ended but there is much to see, think about and enjoy.
Almost hidden, a weathered sculpture from the 1986 Stoke Garden Festival "Hand with Chronos" by Vincent Woropay
In 1986 Carole was working as a playground planner for Wicksteed Leisure and remembers hearin about the Garden Festival from the Wicksteed rep Brian Baggley, having studied sculpture, she was very curious about the Festival but sadly did not get the chance to visit. You can see the list of artist involved here and many images here. The Hand sculpture can be found quitely counting time on the Stoke railway station platform.
View of the Trent and Mersey Canal
The long view of the former Co-Operative Building
and the detail
Street signs show some of the many changes
Tiles and arches
Evidence of a proud industrial history
from the Minton Hollins Tile Works
more tiles peeking out
Evocative curves, reminders
of a glamourous past.
Ghost signs and times
One of the Famous Lions has lost his head
Jackson's Buildings has the date 1899 and decorative panels on the façade that depict the face of the Green Man surrounded by foliage, one shows him with a closed mouth, the other with a open mouth. Smaller panels have foliate decoration, and another bears the name 'JACKSON BUILDINGS'
Above the door there is a decorative sign that is inscribed 'SUTHERLAND CHAMBERS' The small Christadelphian Ecclesia in North Staffordshire was formed in 1910 and worshipped originally on the first floor of Sutherland Chambers, High Street, Stoke
The old parish church of Stoke upon Trent had been demolished in 1830 and some of its stone used to form the bed of a watercourse serving Boothen Mill. Charles Lynam discovered these in 1881 and used them to reconstruct two arches and other features of the old church, set up on the site of the old church.
All things pass
but the Welcome remains
All technologies change, so much change since 2000
but craft makes a more lasting impression
and if you look up you may be surprised at what you see
The former Library and Shakespeare Institute, London Rd
Friday, 20 October 2017
Surrounded by views of Oxfordshire, the Chilterns Hills, the Vale of Aylesbury Waddesdon Manor, provided our group with an ideal place to photograph and explore. We gathered by the rococo style Aviary in the heart of the gardens filled with rare and exotic birds.
Photographer Kate Dyer set up an impromptu studio near the Aviary and explained to the group about how make a cyanotype or sun print, we were fortunate that Autumn was kind to us and the light was still strong enough for our purpose.
Kate hope the cyanotypes would be inspired by the walk to the Aviary
and would be made with found or natural objects plus
a selection of preprepared architectural line drawings.
Cyanotype is a photographic printing process that produces a cyan-blue print. Engineers used the process well into the 20th century as a simple and low-cost process to produce copies of drawings, referred to as blueprints. The process uses two chemicals: ferric ammonium citrate and potassium ferricyanide.
Our chosen objects were lad on top of the cyanotype paper and a sheet of acetate was clipped on top, the image was them left to create a positive image produced by exposing the paper it to a source of ultraviolet light (such as sunlight). The extent of colour change depends on the amount of UV light, but good results were obtained after 10–20 minute exposures.
String made a good drying line
After exposure the paper was washed in water
and hung to both dry and develop
the results were beautiful and mysterious.
The cyanotype processwas first introduced by (1792 – 1871) in 1842. Sir John was an astronomer, trying to find a way of copying his notes. One of the first people to put the cyanotype process to use was (1799-1871), who in October 1843 became the first person to produce and photographically illustrated a book using cyanotypes
Download Walks map
After they had finished their cyanotype the group were invited to step back in time in the Victorian style gardens, gaze at flamboyant colours on the parterre amid the ornate fountains and statuary and to explore the gardens and building at their own pace, walking their own paths. In 2012, it was announced that Waddesdon Manor would be one of the sites for Jubilee Woodlands, designated by the Woodland Trust to commemorate Queen Elizabeth II's Diamond Jubilee.
Opened to the public in 1959, Waddesdon Manor is managed by the Rothschild Foundation, a family charitable trust, on behalf of the National Trust, who took over ownership in 1957. It’s home to the Rothschild Collections of paintings, sculpture and decorative arts.
Some of the group decided to tour the inside the
house, and found treasure trove of collections.
In the Stable Gallery they were able to Witness nature re-imagined in an exhibition that sees an amalgamation of fashion, digital art and animal specimens on show. In collaboration with the Natural History Museum at Tring, Walter Rothschild’s spectacular collection of natural history provides the inspiration for colourful virtual collages by Platon H and couture dresses by Mary Katrantzou.
Our time at Waddesdon raced by
This is the face of happiness and wellbeing and lies at the heart of this project - to bring people who lack access to parks, gardens, woods, water, crafts and industry to places they might not ordinarily visit. For many of the group it was the first time they had been to such a grand garden, so full of richness and inspiration. It was a memorable day and one to treasure.